J. Rosenbaum

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a pale skinned feminine looking face constructed out of colorful high contrast faces in different color blocks

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Execute_Photography

March 1 @ 11:00 am – May 4 @ 5:00 pm

a completed face constructed out of a mosaic using Gender Tapestry binary images of people's faces using their assigned color
people interacting with Gender Tapestry at ACMI
an example of gender tapestry while training as used during a community event.

Interact with Gender Tapestry, a community driven AI artwork that seeks to explore a new way to during a new installation at Execute_Photography as part of Photo2024
Photography is constantly dying and being reborn. AI represents the latest stage of photography’s transformation into a software output, cannibalising the camera and even transforming it into a set of executable text prompts. If it is now clear that photography is a kind of ‘program’, and that images are operational, actionable and scrapable, what does this mean for the future of the medium? Both an exploration and a provocation, this exhibition features work by Australian and international artists speculating on the social and political ramifications of photography’s afterlives. 

Exhibition Curators: Alison Bennett, Shane Hulbert, Daniel Palmer, Katrina Sluis 

Artists include: Memo Akten, Amrita Hepi, Max Pinckers and Dries Depoorter, Rosa Menkman, Sara Oscar, J. Rosenbaum, Sebastian Schmieg and Alan Warburton

RMIT Gallery

344 Swanston St
Melbourne, Victoria 3000 Australia + Google Map
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