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SUMMARY:and/or presented by queertech.io\, ACMI and Midsumma
DESCRIPTION:Presented by Midsumma Festival’s AND/OR program\, ACMI and Queertech.io. \nQueerTech.io presents an online/offline exhibition of artworks created by artists identifying as both queer and disabled. Curated by the Queertech.io artist collective and Midsumma Festival\, works selected will be premiered online via exhibition on the queertech.io website and offline at a special screening at ACMI\, Federation Square. \nNow more than ever\, queer voices are vital to a continued socio-political discourse surrounding representation in a digital landscape. Queertech.io showcases a broad cross-section of the innovative\, poignant and queer-as-hell works emerging from diverse queer communities. Disabled voices\, like queer voices\, are marginalised\, and queer disabled voices even more. Disabled artists are often overlooked in major landmark presentations and the discourse around accessibility of queer led events needs to be brought to the forefront. The queer community has many disabled members\, some who have historically felt left out of Midsumma Festival events. This project highlights these artists with an online and physical show giving queer artists with a disability the opportunity to shine in a keynote Midsumma Festival presentation at ACMI. \nThis project has been assisted by the Australian Government through the Australia Council for the Arts\, its arts funding and advisory body. \n 
URL:https://jrosenbaum.com.au/event/and-or-presented-by-queertech-io-acmi-and-midsumma-3/
CATEGORIES:Exhibition|Talk
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DTSTART;TZID=Australia/Melbourne:20181208T120000
DTEND;TZID=Australia/Melbourne:20181208T200000
DTSTAMP:20260424T093155
CREATED:20231205T200930Z
LAST-MODIFIED:20231205T200930Z
UID:435-1544270400-1544299200@jrosenbaum.com.au
SUMMARY:VVITCHVVAVVE
DESCRIPTION:Practitioners who engage with post digital aesthetics are concerned with processes in art-making and conceptual frameworks that assume digitality rather than treat it as an exception. Its tools are ubiquitous\, situated\, embedded with neoslime\, embracing material speculation\, curious imperfection\, mawkish plasticity\, rather than a transhuman sterilised alien ideal of perfection.\nThe post digital has been discussed by artists and thinkers for almost a decade\, these conversations have been abundant in the northern hemisphere. Therefore\, we ask: How can Australia and its people\, including the longest continuing culture on the Earth\, contribute to the conversation? What nuances can we add? How do artists counter or propagate existing structures of power and materiality? And which ethical questions are raised when we consider indigenous lore in post digital space?\nTo begin to seek out answers to these questions about our contemporary post-digital condition artists\, musicians\, scholars\, and activists will gather at Siteworks Brunswick. In yarning circles\, performances\, talks\, and installations\, they will explore instants of occult computing from the arcane to the present day. \nCurated by Nancy Mauro-Flude (TAS) and Tom Penney (VIC)\nVVitchVVavve: Post Digital Aesthetics Symposium with: Angie Abdilla (SYD/TAS)\, Ben Byrne (VIC)\, Kake Geck (VIC)\, Mohamed Chamas (VIC)\, Cramer Florian (R’DAM)\, Richie Cyngler (TAS)\, Annet Dekker (A’DAM)\, Denby (VIC)\, Ma Terie Markéta Dolejšová (PRAGUE)\, Jeremy Dower (VIC)\, Timothy Dwyer (VIC)\, Kimberly D’Amazing (VIC)\, Claire Field (Syd)\, Jay (VIC)\, Adrian Lucas-Healey (VIC)\,Patrick McMahon (VIC)\, Tom Penney (VIC)\, Theo Trian (LA) and others.\nVVitchVVavve: is supported by RMIT School of Design and Despoina’s Critical Media Coven.
URL:https://jrosenbaum.com.au/event/vvitchvvavve-3/
CATEGORIES:Exhibition|Talk
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