A mixed media exploration of Naiads, Dryads and Nereids from Greek and Roman mythology using augmented Reality, 3D modeling and neural networks to create modern interpretations of classical creatures of nature. Using the highly technological with the highly natural invites discussion about how at odds we are to the natural world and how we might […]
https://jrosenbaum.com.au/wp-content/uploads/2018/03/devoxx2018.pdf
Join me at PyCon in August for a discussion on how artists use python And machine learning to create creepy, frivolous and beautiful art. An exploration of digital art looking at the uses of machine learning and how it impacts the future of art. What can we learn from art created using neural networks and […]
Can computers see gender? Without being trained in traditional binary notions of gender what can they produce? And how do we interpret the results? J. Rosenbaum is presenting Hidden Worlds, an exhibition of Artificial Intelligence Computer Generated artworks using mobile Augmented Reality technologies to see gender through the lens of computer vision. Rosenbaum’s last works used AI to interpret their creations, this time the computer will be […]
This talk is about mixed reality technologies, Virtual Reality, Augmented Reality and how they can be beneficial to artists and exploring art in depth. I will go behind the code to the amazing things this technology currently does, what it can reveal and how it is currently being used for good and for ill. I […]
https://jrosenbaum.com.au/wp-content/uploads/2018/08/pyconau-2018-jennie-rosenbaums-conflicted-copy.pdf|https://jrosenbaum.com.au/wp-content/uploads/2018/08/pyconau-2018.pdf
Can computers see gender? Without being trained in traditional binary notions of gender what can they produce? And how do we interpret the results? J. Rosenbaum is presenting Hidden Worlds, an exhibition of Artificial Intelligence Computer Generated artworks using mobile Augmented Reality technologies to see gender through the lens of computer vision. Rosenbaum’s last works used AI to interpret their creations, this time the computer will be […]
This talk is about mixed reality technologies, Virtual Reality, Augmented Reality and how they can be beneficial to artists and exploring art in depth. I will go behind the code to the amazing things this technology currently does, what it can reveal and how it is currently being used for good and for ill. I […]
Issue 12.2: Strategic Liaisons, co-edited by Maddee Clark & Neika Lehman, is available in print and online. The print edition of un Magazine is distributed and available for free at galleries and outlets across Australia and internationally. “I was having dinner with Métis critical writer & painter, curator & editor David Garneau recently, and he […]
Practitioners who engage with post digital aesthetics are concerned with processes in art-making and conceptual frameworks that assume digitality rather than treat it as an exception. Its tools are ubiquitous, situated, embedded with neoslime, embracing material speculation, curious imperfection, mawkish plasticity, rather than a transhuman sterilised alien ideal of perfection. The post digital has been […]
Practitioners who engage with post digital aesthetics are concerned with processes in art-making and conceptual frameworks that assume digitality rather than treat it as an exception. Its tools are ubiquitous, situated, embedded with neoslime, embracing material speculation, curious imperfection, mawkish plasticity, rather than a transhuman sterilised alien ideal of perfection. The post digital has been […]
Issue 12.2: Strategic Liaisons, co-edited by Maddee Clark & Neika Lehman, is available in print and online. The print edition of un Magazine is distributed and available for free at galleries and outlets across Australia and internationally. “I was having dinner with Métis critical writer & painter, curator & editor David Garneau recently, and he […]
